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| Irma Rogell, harpsichord |
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| Compositions written for harpsichord during the 17th and 18th centuries.These are reflected by the 20th century compositions of Nicholas Van Slyck. Ms. Rogell performs on the Pleyel harpsichord built for her according to the specifications of her teacher, Wanda Landowska. |
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| Side A |
| Chaconne |
| John Blow (1648 - 1708) |
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| Ground in c minor |
| Henry Purcell (1658 - 1695) |
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| Suite in d minor |
| Georg Frederich Handel (1685 - 1759) |
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| Diferencias |
| Nicholas Van Slyck (1922 - 1983) |
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| Side B |
| Sonata in C Major |
| Sonata in C Major |
| Sonata in c minor |
| Domenico Scarlatti (1685 - 1757) |
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| La Tomba di Scarlatti |
| Sonata No. 1: Allegro Serioso |
| sonata No. 2: Parlando |
| Sonata No. 3: Vivo, Gioioso |
| Nicholas Van Slyck (1922 - 1983) |
 Listen to Sonata No. 3 |
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| Piano Music by Nicholas Van Slyck (1922-83) |
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| Performances by Nicholas and Trudi Van Slyck, David Witten. The title piece explores "in-the- piano" techniques of plucking, strumming, and tapping the piano strings. This four-hand piece is followed by 12 Cadenzas, each written on a different twelve tone row. |
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| Pantomime, Fantaisie for pianoforte four hands |
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Listen to
Pantomime: Scene-setting |
| Listen to Pantomime: Processional |
| Listen to Pantomime: General Dance |
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| Introduction and
30 Variations on a Theme of Franz Schubert |
| Listen to Variation No. 2 |
| Listen to Variation No. 3 |
| Listen to Variation No. 4 |
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| Order the CD from: |
| Van Slyck 20th Century Music. |
| CDBaby.com |
| or Amazon.com |
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| - Side A |
| Pantomime, Fantaisie for pianoforte four hands |
| Scene-setting: Lento |
| Procession: Alla Marcia |
| Monologue: Grave |
| General Dance: Allegro Molto |
| Curtain: Lento |
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| Side B |
| 12 Cadenzas for Piano |
| Trudi Van Slyck, piano |
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| Will-O'-the-Wisp |
| David Witten, piano |
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| Capriccio #3 |
| David Witten, piano |
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| Order the LP from Van Slyck 20th Century Music. |
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| Irma Rogell, harpsichord |
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| Side A of this recording follows the development of the Tocacata in Portugal in the 17'th century, rather than the more familiar German development. Side B comprises a delightful assortment of "toyes" which The Harvard Dictionary of Music defines as "a short, light composition for virginal". |
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| Side A |
| Toccata in d minor |
| Ferdinand Tobias Richter |
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| Toccata in g minor, no. 4 |
| Toccata in c minor, no. 8 |
| Toccata in f minor, no. 3 |
| José Carlos de Seixas |
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| Suite No. 1 for harpsichord |
| Nicholas Van Slyck (1922 - 1983) |
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Listen to
"Air" from Suite No. 1 for Harpsichord |
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| Side B |
| My Lady Carey's Dompe |
| Anonymous (circa 1525) |
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| Dr. Bull's Juell |
| John Bull (1563-1628) |
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| A Toye |
| Giles Farnaby (1560-1600) |
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| Can She? |
| Anonymous |
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| Why Aske You |
| Anonymous |
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| Fayne Would I Ask |
| Richard Farnaby |
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| Rowland |
| William Byrd |
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| The Duchesse of Brunswick's Toye |
| John Bull |
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| Jigg |
| John Blow (1648-1708) |
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| Irma's Toye (Second Suite for Harpsichord) |
| Nicholas Van Slyck (1922-1983) |
| Listen to Allemande from suite No. 2 for harpsichord |
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